I wanted to add a definition for Film noir, so I went to the great movie critic Roger Ebert. I have shortened his definitions but included the link below so you can read the complete original.
1. A French term meaning “black film,” or film of the night.
2. Doesn’t mislead you into thinking there will be a happy ending.
3. Locations that reek of the night, of shadows, of alleys, of the back doors of fancy places.
4. Cigarettes. Everybody in the film noir is always smoking. The best smoking movie of all time is Out of the Past, in which Robert Mitchum and Kirk Douglas smoke furiously at each other.
5. Women who would just as soon kill you as love you, and vice versa.
RogerEbert.com
This is priceless JEC.
Noir Fest
Title | Year | Comment | My Rate |
---|---|---|---|
Dangerous Mission (1954) | 1954 | ||
The Maltese Falcon (1941) | 1941 | The best of ALL the Film Noir. Humphrey Bogart is amazing so is everyone else… | 1.00 |
Double Indemnity (1944) | 1944 | Foolish insurance man meets one of the best Femme Fatale in this must see drama... | 2.00 |
Sunset Blvd. (1950) | 1950 | A young man is murdered after he gets involved with a much older actress... | 3.00 |
Out of the Past (1947) | 1947 | The best Femme Fatale ever... | 4.00 |
The Asphalt Jungle (1950) | 1950 | Director John Huston pulls off another Film Noir masterpiece in this gritty heist drama where everything falls apart. Sterling Hayden and Sam Jaffe are amazing. They are supported by James Whitmore and Jean Hagen. Marilyn Monroe turns in her first major role… | 5.00 |
Touch of Evil (1958) | 1958 | Orson Welles directed this masterpieces that starred Charleton Heston as Mexican detective... | 6.00 |
The Killing (1956) | 1956 | Sterling Hayden is amazing in the tale of a robbery gone horribly wrong... | 7.00 |
The Big Sleep (1946) | 1946 | Detective Philip Marlowe (Humphrey Bogart) is hired by a wealthy client. By the end of the case, there is murder, blackmail, and maybe love… | 8.00 |
D.O.A. (1949) | 1950 | A "who done it" like you have never seen before… | 9.00 |
Murder, My Sweet (1944) | 1944 | (Aka Farewell, my Lovely). The most noir fun you will ever have. Raymond Chandler prose crackles with moody noir direction from Edward Dmytryk… | 10.00 |
Kiss Me Deadly (1955) | 1955 | One of the greatest and most stylistic Film Noirs ever made. Based on a Mickey Spillane novel, Kiss Me Deadly (1955) is a thrilling movie. | 11.00 |
Nightmare Alley (1947) | 1947 | One of the greatest, yet subdued, Femme Fatale, she uses greed instead of sex to drive a man to the lowest depths possible at the end of a Gin bottle… | 12.00 |
The Narrow Margin (1952) | 1952 | Set on a train, this is the classic Film Noir featuring Marie Windsor and Charles McGraw | 13.00 |
Ride the Pink Horse (1947) | 1947 | Disillusioned WW2 vet arrives in a New Mexico town to blackmail a war racketeer. Imbued with a rare humanity... | 14.00 |
Pickup on South Street (1953) | 1953 | A very good Film Noir with pickpockets, Feds, and Commies… | 15.00 |
Ace in the Hole (1951) | 1951 | A savage critique of corrupt mass media. Kirk Douglas is on fire… | 16.00 |
All the King's Men (1951) | 1949 | Southern politics the real way… | 17.00 |
Born to Kill (1947) | 1947 | A really dark Film Noir with a Femme Fatale and a Homme Fatale... | 18.00 |
Sweet Smell of Success (1957) | 1957 | Ambition and betrayal stripped of all pretense... | 19.00 |
Notorious (1946) | 1946 | Spies with Carey Grant, Ingrid Bergman, and Claude Rains… | 20.00 |
Blood on the Moon (1948) | 1948 | A rare Film Noir Western with the two leads being Robert Mitchum and Robert Preston. Blood on the Moon (1948) has a great support cast and a good storyline. | 21.00 |
The Harder They Fall (1956) | 1956 | This is a gritty boxing Film Noir without a series Femme Fatale. This movie was Humphrey Bogart last film. Rod Steiger led a vicious crew of gangsters. Real boxers rounded out the crew. Mark Robson directed this tale of corruption and betrayal in the sweet science... | 22.00 |
Brute Force (1947) | 1947 | Prisoners obsessed with a pin-up tell their tale as they wait to escape. Burt Lancaster leads a fantastic cast with Hume Cronin as a sadistic guard… | 24.00 |
The Postman Always Rings Twice (1946) | 1946 | Infidelity and murder... | 25.00 |
Key Largo (1948) | 1948 | Gangsters and a hurricane in the Florida Keys. Plus Humphrey Bogart and Lauren Bacall… | 26.00 |
Trapped (1949) | 1949 | A recently restored Film Noir fearing a very young Lloyd Bridges as a tough criminal and Barbara Payton as his lovely girlfriend. See Trapped (1949) | 27.00 |
Cry Danger (1951) | 1951 | A very sharp Film Noir set in the Bunker Hill area of LA. Cry Danger (1951) features Dick Powell, Rhonda Fleming, Richard Erdman, and Jean Porter | 28.00 |
Scarlet Street> (1945) | 1945 | A lonely man and an evil couple... | 29.00 |
The Big Combo (1955) | 1955 | Obsessed cop hunts down a psychotic crime boss... | 30.00 |
The Lady from Shanghai (1947) | 1947 | Orson Welles' brilliant jigsaw with a Femme Fatale that is one of the greatest... | 31.00 |
Thieves' Highway (1949) | 1949 | Moody Richard Conte hauling fruit to Frisco. Rich socio-realist melodrama from Jules Dassin and A.I. Bezzerides. | 32.00 |
Shield for Murder (1954) | 1954 | Crooked cop Detective Lt. Barney Nolan (Edmond O'Brien) murders and robs a bookie so he can start a new life with his girlfriend Patty (Marla English) while cops Sgt. Mark Brewster (John Agar) and Capt. Gunnarson (Emile Meyer) follow the clues. Also, features Carolyn Jones and Claude Akins. Super intense Film Noir… | 33.00 |
Lady in the Death House (1944) | 1946 | Filmed in POV style. This film standouts because of Audry Totter's acting as a Femme Fatale | 34.00 |
The Strange Love of Martha Ivers (1946) | 1946 | A lustful vixen (Barbara Stanwyck), a dipsomaniac ( Kirk Douglas) in his first film, a tough guy (Van Heflin), and dame (Lizabeth Scott) that had nothing but bad breaks intersect in The Strange Loves of Martha Ivers (1946) | 35.00 |
99 River Street (1953) | 1953 | An ex-boxer falls into a trap and is accused on murder... | 36.00 |
Johnny O'Clock (1947) | 1947 | In this stylistic Film Noir, Dick Powell is tough and sophisticated, Lee J. Cobb is understated and practical, Ellen Drew is as beautiful as she is bad, Evelyn Keyes is solid, and Thomas Gomez is a really menacing bad guy… | 37.00 |
Mystery in Mexico (1948) | 1948 | Directed by Robert Wise, this is an exciting bi-lingual Film Noir. Mystery in Mexico (1948) features an outstanding cast. | 38.00 |
The Killers (1946) | 1946 | Burt Lancaster in his file debut is amazing... | 39.00 |
The Big Heat (1953) | 1953 | A tough cop, played by Glenn Ford takes on a well-connected mob. Gloria Grahame is great in this film… | 40.00 |
Border Incident (1949) | 1949 | Subversive expressionist noir from Dir Anthony Mann DP John Alton and writer John C Higgin indicts US agribusiness. | 41.00 |
The Set-Up (1949) | 1949 | Robert Ryan is great as washed-up boxer in Robert Wise's sharp expose of the fight game. Brooding and intense Film Noir classic. | 43.00 |
The Phenix City Story (1955) | 1955 | The entire town is corrupt. Alabama! ... | 44.00 |
Dark Passage (1947) | 1947 | An escaped convict and his helper starring Humphrey Bogart and Lauren Bacall… | 45.00 |
Mystery Street (1950) | 1950 | Ricardo Montalban is this Film Noir criminal forensic investigation story… | 47.00 |
Panic in the Streets (1950) | 1950 | A solid Film Noir without a Femme Fatale. Richard Widmark leads a search for plauge as Jack Palance seems like a rabid dog in Panic in the Streets (1950). | 48.00 |
Kansas City Confidential (1952) | 1952 | A pretty soild Film Noir who-done it with John Payne and Coleen Gray. Watch for a twisty ending. World Class bad guys | 49.00 |
Laura (1944) | 1944 | Gene Tierney is an iridescent angel and Dana Andrews a stolid cop who nails the killer after falling for a dead dame... | 50.00 |
Dead Reckoning (1947) | 1947 | A soldier flees rather than receive the Medal of Honor, his war buddy, played by Humphrey Bogart goes to his buddy's hometown where love and murder follow… | 51.00 |
Dark Waters (1944) | 1944 | Merle Oberon, Franchot Tone, and Thomas Mitchell in an interesting Gothic- Film Noir set in bayous of Louisiana. | 52.00 |
Elevator to the Gallows AKA Ascenseur pour l'echafaud | 1958 | An interesting French Film Noir . Notable for Jeanne Moreau acting and Miles Davis' soundtrack | 53.00 |
The Garment Jungle (1957) | 1957 | Garment factory owner, with the help of his son and union finally stands ups to organized crime. | 54.00 |
The File on Thelma Jordon (1950) | 1950 | Barbara Stanywck is an excellent Femme Fatale in The File on Thelma Jordon (1949) with great acting by Wendell Corey and Paul Kelly. Directed by Rorbert Siodmack | 55.00 |
The Price of Fear (1956) | 1956 | A well made Film Noir, with Femme Fatale Merle Oberon and Lex Barker as the accuesed. Enjoy a unique story in The Price of Fear (1956) | 56.00 |
Kiss Tomorrow Goodbye (1950) | 1950 | 57.00 | |
The Night of the Hunter (1955) | 1955 | Robert Mitchum is amazing, along with Shelley Winters and Lillian Gish in this Film Noir about a sadistic bluebeard posing as a preacher | 58.00 |
Armored Car Robbery (1950) | 1950 | Granite jawed cop Charles McGraw is in a criminal chess match with criminal William Talman in the Film Noir Armored Car Robbery (1950). Adele Jergens as stripper Yvonne LeDoux is a good Femme Fatale… | 59.00 |
The Blue Gardenia (1953) | 1953 | A woman blacks out while drinking and thinks she may have killed the man that tried to sexually assault her | 60.00 |
Too Late For Tears (1949)/ Killer Bait (1955) | 1949 | Preposterous chance event launches wild descent into dark avarice and eroticised violence as relentless as fate. Top flight Femme Fatale | 61.00 |
Human Desire (1954) | 1954 | A good Film Noir focused around trains and murder. Glenn Ford, Gloria Grahame, and Brodrick Crawford at get in this twisted love story... | 62.00 |
The Dark Corner (1946) | 1946 | A solid Film Noir starring the queen of comedy, Lucille Ball, as a hardened big city secretary in The Dark Corner (1946) | 63.00 |
Roadblock (1951) | 1951 | A pretty exciting Film Noir, that cools a little in the back half. Roadblock (1951) features Charles McGraw and lovely Joan Dixon. | 64.00 |
The Naked City (1948) | 1948 | In this much beloved film, two New York City detectives investigating a suicide that turns out to be murder. Shot in documentary style with a lot of New York scenery. It doesn't work for me… | 65.00 |
Dark City (1950) | 1950 | A solid and suspenseful Film Noir with Charlton Heston and Lizabeth Scott. Great supporting cast in Dark City (1950) | 66.00 |
Detective Story (1951) | 1951 | Kirk Douglas leads an all star cast in this filmed play. It is more noirish that true Film Noir. Lee Grant was awesome in her first role… | 67.00 |
The Prowler (1951) | 1951 | Van Heflin plays a killer cop out to steal Evelyn Keyes' character form her husband and start a new life. | 68.00 |
Chigago Syndicate (1955) | 1955 | A pretty average Film Noir with a great villain and a gorgeous mysterious woman. A different setup makes Chicago Syndicate (1955) a good watch | 69.00 |
Night and the City (1950) | 1950 | 70.00 | |
Pitfall (1948) | 1948 | An insurance man falls for an innocent woman who's boyfriend is in jail. Things turn dark… | 71.00 |
711 Ocean Drive (1950) | 1950 | 72.00 | |
In a Lonely Place (1950) | 1950 | Nick Ray deftly explores effect of isolation, frustration, and anxiety on the creative psyche as noir entrapment... | 73.00 |
The Woman on Pier 13 (1949)/I Married a Communist (1949) | 1949 | A fair Film Noir with a great cast. The Woman on Pier 13 (1949) is striclty anti-Communisit and has a very good Femme Fatale. | 74.00 |
Black Angel (1946) | 1946 | A decent Film Noircompared favorably to The Lost Weekend (1945). Black Angel (1946) features Dan Duryea, Peter Lorre, and June Vincent... | 75.00 |
Illegal (1955) | 1955 | This average trail-centric Film Noir, Illegal (1955), stars, including Edward G. Robinson, Hugh Marlow, Nina Foch, and Jayne Mansfield... | 76.00 |
Las Vegas Shakedown (1955) | 1955 | An average Film Noir, with an outstanding cast and scenes showing old Las Vegas. Enjoy watching Las Vegas Shakedown (1955) | 77.00 |
Impact (1949) | 1949 | A pretty good second tier Film Noir with a great cast of actors. Brian Donlevy, Ella Raines, and Helen Walker lead the cast in Impact (1949). | 78.00 |
The Lost Weekend (1945) | 1945 | Most men lead lives of quiet desperation. I can't take quiet desperation. Ray Milland against type on a bender. | 79.00 |
New Orleans Uncensored (1955) | 1955 | A low-end Film Noir, with great shot of the Cresent City. Mike Mazurki stands out in New Orleans Uncensored (1955) | 80.00 |
Dangerous Mission (1954) | 1954 | A nice National Park Service movie, but not much of a Film Noir. Dangerous Mission (1954) has Victor Mature, Piper Laurie, and Vincent Price in the woods. | 81.00 |
The Devil Thumbs a Ride (1947) | 1947 | A fairly routineFilm Noir with a great performance by Lawrence Tierney and a psychotic criminal that you must watch - The Devil Thumbs a Ride (1947) | 82.00 |
The Crimson Kimono (1959) | 1959 | 83.00 | |
The Square Jungle (1955) | 1955 | 84.00 | |
The Two Mrs. Carrolls (1947) | 1947 | 85.00 | |
The Tattooed Stranger (1950) | 1950 | A nice police procedural shot on location in New York City…. | 86.00 |
M (1951) | 1951 | An American remake of the Fritz Lang directed the story of a German child killer. When the police can't find the murderer other criminals join in the hunt… | 87.00 |
Road House (1948) (1948) | 1948 | 88.00 | |
Crime of Passion (1956) | 1956 | Crime of Passion (1956) is a great Film Noir, focused on the woman played by Barbara Stanwyck. Featuring Sterling Hayden, Raymond Burr, and Fay Wray… | 89.00 |
The Verdict (1946) | 1946 | A nice revenge movie with Peter Lorre and Sydney Greenstreet. It will keep you guessing until the end. | 90.00 |
Lured (1947) | 1947 | 91.00 | |
The Story of Molly X (1949) | 1949 | An average prison-based Film Noir with Joan Havoc turning in a good performance in The Story of Molly X (1949). Also featuring Charles McGraw | 92.00 |
Act of Violence (1949) | 1949 | Long-shot and deep focus climax filmed night-for-night on a railway platform: the stuff noirs are made of. | 93.00 |
Alias Nick Beal (1949) | 1949 | 94.00 | |
All My Sons (1948) | 1948 | 95.00 | |
Angel Face (1953) | 1953 | 96.00 | |
Brighton Rock (1948) | 1948 | 97.00 | |
Three Strangers (1946) | 1946 | Three strangers get involved with a Chinese goddess idol and have very different results. The 8th pairing of Peter Lorre and Sydney Greenstreet. | 98.00 |
Call Northside 777 (1948) | 1948 | 99.00 | |
Champion (1949) | 1949 | 100.00 | |
Hangmen Also Die! (1943) | 1943 | 101.00 | |
The Fast and the Furious (1954) | 1954 | A very weak Film Noir with a lot of stock racing footage and not too much of a plot. John Ireland and Dorthy Malone acted pretty well. | 101.00 |
The Wrong Man (1956) | 1956 | 101.00 | |
World in My Corner (1956) | 1956 | 101.00 | |
No Man of Her Own (1950) | 1950 | 101.00 | |
Woman on the Run (1950) | 1950 | 101.00 | |
This Gun for Hire (1942) | 1942 | 101.00 | |
Murder by Contract (1958) | 1958 | 101.00 | |
Larceny (1948) | 1948 | 101.00 | |
The Lineup (1958) | 1958 | 101.00 | |
I Want to Live! (1958) | 1958 | I Want to Live! (1958) is a gritty Film Noir that focuses on the femme side of the story. Susan Hayward is amazing as the condemned woman… | 101.00 |
The Sound of Fury (1950) | 1950 | Great noir! Outdoes Lang's Fury and brilliantly prefigures Wilder's Ace in the Hole. Climactic mob scenes mesmerise. | 101.00 |
Kiss of Death (1947) | 1947 | 101.00 | |
The Suspect (1944) | 1944 | 101.00 | |
The Window (1949) | 1949 | 101.00 | |
The Beast Must Die (1952)/La bestia debe morir | 1952 | 101.00 | |
Manhandled (1949) | 1949 | 101.00 | |
I Wake Up Screaming (1941) | 1941 | Early crooked cop psycho-noir. Redolent noir motifs, dark shadows, off-kilter framing and expressionist imagery. | 101.00 |
Mildred Pierce (1945) | 1945 | Joan Crawford in classy melodrama by Michael Curtiz lensed by Ernest Haller. Self-made woman escapes morass of greed. | 101.00 |
Spellbound (1945) | 1945 | 101.00 | |
They Live by Night (1948) | 1948 | An injured convict falls for a woman that nursed him back to health. Their relationship doesn't seem to have a chance... | 101.00 |
The House of Fear (1945) | 1945 | 101.00 | |
Sorry, Wrong Number (1948) | 1948 | 101.00 | |
No Way Out (1950) | 1950 | 101.00 | |
Force of Evil (1948) | 1948 | Polonsky transcends noir in a tragic allegory on greed and family. Garfield adds signature honesty and gritty complexity . | 101.00 |
The Hidden Room (1949) AKA Obession | 1949 | 101.00 | |
Cry of the City (1948) | 1948 | 101.00 | |
The Crooked Circle (1957) | 1957 | 101.00 | |
Where the Sidewalk Ends (1950) | 1950 | 101.00 | |
Moonrise (1948) | 1948 | 101.00 | |
He Walked by Night (1948) | 1948 | 101.00 | |
Crossfire (1947) | 1947 | 101.00 | |
Tension (1949) | 1949 | 101.00 | |
House of Strangers (1949) | 1949 | 101.00 | |
Raw Deal (1948) | 1948 | Sublime noir from Anthony Mann and John Alton. Knockout cast in a strong story stunningly rendered as expressionist art. | 101.00 |
Strangers on a Train (1951) | 1951 | 101.00 | |
Johnny Stool Pigeon (1949) | 1949 | 101.00 | |
Detour (1945) | 1945 | 101.00 | |
Storm Warning (1951) | 1951 | 101.00 | |
Girls in the Night (1953) | 1953 | 101.00 | |
The Brasher Doubloon >(1947) | 1947 | 101.00 | |
On Dangerous Ground (1951) | 1951 | City cop battling inner demons is sent to upstate for a coolinig off. A film of dark beauty and haunting characterisations. | 101.00 |
Insurance Investigator (1951) | 1951 | 101.00 | |
Scandal Sheet (1952) | 1952 | 101.00 | |
Chicago Calling (1951) | 1951 | 101.00 | |
Crime Wave (1953) | 1953 | Andre de Toth noir masterwork set on the streets of LA is so authentic it plays for real with each character deeply drawn. | 101.00 |
I Became a Criminal (1947) | 1947 | 101.00 | |
Confidential Report (1955) | 1955 | 101.00 | |
Phantom Lady (1944) | 1944 | 101.00 | |
The Breaking Point (1950) | 1950 | 101.00 | |
Sudden Fear (1952) | 1952 | 101.00 | |
My Name Is Julia Ross (1945) | 1945 | 101.00 | |
The Enforcer (1951) | 1951 | 101.00 | |
They Won't Believe Me (1947) | 1947 | 101.00 | |
Hangover Square (1945) | 1945 | 101.00 | |
Fallen Angel (1945) | 1945 | Dana Andrews, Linda Darnell, and John Carridine... | 101.00 |
Gun Crazy (1950) | 1950 | 101.00 | |
The Bigamist (1953) | 1953 | Edmond O'Brien plays a man married to two women. Directed by Ida Lupino with a good performace by Joan Fontaine… | 101.00 |
Criss Cross (1949) | 1949 | An armored truck driver and his ex-wife work with a gang to pull off an insider robbery of the truck... | 101.00 |
Johnny Holiday (1949) | 1949 | 101.00 | |
The Third Man (1949) | 1949 | Orson Welles is amazing in this hard to follow film... | 101.00 |
The Desperate Hours (1955) | 1955 | 101.00 | |
Conflict (1945) | 1945 | An average Film Noir with a cast of stars including Humphrey Bogart, Sydney Greenstreet, and Alexis Smith in Conflict (1945) | 101.00 |
Deception (1946) | 1946 | 101.00 | |
The Racket (1951) | 1951 | 101.00 | |
The Stranger (1946) | 1946 | Orson Welles directs and stars as a War Crimes Commission investigator travels to New England in search of Nazis. t to find an infamous Nazi... | 104.00 |
Gilda (1946) | 1946 | A small-time hood goes to work in a casino only to find his new boss is married to his ex-lover... | 105.00 |
The Fallen Idol (1948) | 1948 | 112.00 | |
Odd Man Out (1947) | 1947 | 114.00 | |
The Woman in the Window (1944) | 1944 | 116.00 | |
Body and Soul (1947) | 1947 | A masterwork. Melodramatic expose of the fight game and a savage indictment of money capitalism. Garfield's picture. | 117.00 |
The Big Clock (1948) | 1948 | 121.00 | |
White Heat (1949) | 1949 | Cagney plays a psychopathic con with a mother complex trying to break out of prison to rejoin his old gang. The ending goes off with a bang... | 121.00 |
Leave Her to Heaven (1945) | 1945 | A writer and a socialite meet on a train. It is not long before her obsessive love threatens them and everyone around the two. | 123.00 |
Outside the Wall (1950) | 1950 | 200.00 | |
Side Street (1950) | 1950 | 200.00 | |
The Damned Don't Cry (1950) | 1950 | 200.00 | |
House by the River (1950) | 1950 | 200.00 | |
Beyond a Reasonable Doubt (1956) | 1956 | 200.00 | |
Behind the High Wall (1956) | 1956 | 200.00 | |
The Scarlet Hour (1956) | 1956 | 200.00 | |
Nightfall (1956) | 1956 | 200.00 | |
Stage Fright (1950) | 1950 | 200.00 | |
Riot in Cell Block 11 (1954) | 1954 | 200.00 | |
Beyond the Forest (1949) | 1949 | 200.00 | |
Shakedown (1950) | 1950 | 200.00 | |
Crashout (1955) | 1955 | 200.00 | |
Pushover (1954) | 1954 | 200.00 | |
The Underworld Story (1950) | 1950 | 200.00 | |
The Sleeping City (1950) | 1950 | 200.00 | |
Six Bridges to Cross (1955) | 1955 | 200.00 | |
Young Man with a Horn (1950) | 1950 | 200.00 | |
New York Confidential (1955) | 1955 | 200.00 | |
Flamingo Road (1949) | 1949 | 200.00 | |
The Big Steal (1949) | 1949 | 200.00 | |
The Long Wait (1954) | 1954 | 200.00 | |
Caught (1949) | 1949 | 200.00 | |
Caged (1950) | 1950 | This film has a great female cast. Set in a woman's prison this film has a very dark ending... | 200.00 |
Wicked Woman (1953) | 1953 | 200.00 | |
Tomorrow Is Another Day (1951) | 1951 | 200.00 | |
The Web (1947) | 1947 | 200.00 | |
I Walk Alone (1947) | 1947 | 200.00 | |
Nobody Lives Forever (1946) | 1946 | 200.00 | |
T-Men (1947) | 1947 | Mann and Alton offer a visionary descent into a noir realm of dark tenements, nightclubs, mobsters, and hellish steam baths. | 200.00 |
Lady in the Lake (1946) | 1944 | 200.00 | |
The Lost Moment (1947) | 1947 | 200.00 | |
High Wall (1947) | 1947 | 200.00 | |
Ministry of Fear (1944) | 1944 | 200.00 | |
The Mask of Dimitrios (1944) | 1944 | 200.00 | |
Framed (1947) | 1947 | 200.00 | |
The Man Between (1953) | 1953 | 200.00 | |
His Kind of Woman (1951) | 1951 | 200.00 | |
Niagara (1953) | 1953 | 200.00 | |
Nora Prentiss (1947) | 1947 | Doctor is plunged into a dark pool of noir angst in a turbo-charged melodrama of tortured loyalty and thwarted passion. | 200.00 |
The Hitch-Hiker (1953) | 1953 | Two buddies on a vacation pick up a murderous escaped convict who plans to kill them when the trip is over... | 200.00 |
Grissly's Millions (1945) | 1945 | 200.00 | |
Clash by Night (1952) | 1952 | Cheating wife Stanwyck faces the music. Fritz Lang puts sexual license and existential entitlement on trial and wins. | 200.00 |
Deadline - U.S.A. (1952) | 1952 | 200.00 | |
Phone Call from a Stranger (1952) | 1952 | 200.00 | |
Steel Town (1952) | 1952 | 200.00 | |
The Sniper (1952) | 1952 | Maybe the first modern serial killer film. An interesting watch, but a little too close to modern society. Interesting HUAC connections. | 200.00 |
The Locket (1946) | 1946 | A flashback inside of a flashback inside of a flashback. Decent acting and story, this film is truly the master of flashbacks. Robert Mitchum is in a different type of role. | 200.00 |
The Blue Dahlia (1946) | 1946 | 200.00 | |
Somewhere in the Night (1946) | 1946 | 200.00 | |
The Dark Mirror (1946) | 1946 | 200.00 | |
Terror by Night (1946) | 1946 | 200.00 | |
Damn Citizen (1958) | 1958 | 200.00 | |
Appointment with a Shadow (1957) | 1957 | 200.00 | |
I Love Trouble (1948) | 1948 | 200.00 | |
He Ran All the Way (1951) | 1951 | 200.00 | |
Ruthless (1948) | 1948 | 200.00 | |
The Strange Mrs. Crane (1948) | 1948 | 200.00 | |
Night Has a Thousand Eyes (1948) | 1948 | 200.00 | |
The Street with No Name (1948) | 1948 | 200.00 | |
Hell Drivers (1957) | 1957 | 200.00 | |
The Glass Key (1942) | 1942 | 200.00 | |
A Double Life (1947) | 1947 | 200.00 | |
Party Girl (1958) | 1958 | I wouldn't spend much time tracking this one down. It's in color and the story is pretty weak. Cyd Charisse does some nice dancing and Lee J. Cobb is good as a Capone type. | 200.00 |
Time to Kill (1942) | 1942 | 200.00 | |
The Midnight Story (1957) | 1957 | 200.00 | |
The Unsuspected (1947) | 1947 | 200.00 | |
Possessed (1947) | 1947 | 200.00 | |
Boomerang! (1947) | 1947 | 200.00 | |
Under the Gun (1951) | 1951 | 200.00 | |
To the Ends of the Earth (1948) | 1948 | 200.00 | |
Another Man's Poison (1951) | 1951 | 200.00 | |
Fourteen Hours (1951) | 1951 | 200.00 | |
The Strange One (1957) | 1957 | 200.00 | |
Roughshod (1949) | 1949 | 201.00 | |
Rumble on the Docks (1956) | 1956 | 218.00 | |
Allotment Wives (1945) | 1945 | 300.00 | |
Fly-By-Night (1942) | 1942 | 300.00 | |
Whirlpool (1950) | 1950 | 300.00 | |
Down Three Dark Streets (1954) | 1954 | 300.00 | |
The Mark of the Whistler (1944) | 1944 | 300.00 | |
Rogue Cop (1954) | 1954 | 300.00 | |
Drive a Crooked Road (1954) | 1954 | 300.00 | |
Moontide (1942) | 1942 | 300.00 | |
The House on 92nd Street (1945) | 1945 | 300.00 | |
Kid Glove Killer (1942) | 1942 | 300.00 | |
Lady on a Train (1945) | 1945 | 300.00 | |
The Last Crooked Mile (1946) | 1946 | 300.00 | |
The Strange Affair of Uncle Harry (1945) | 1945 | 300.00 | |
Strange Confession (1945) | 1945 | 300.00 | |
Cornered (1945) | 1945 | 300.00 | |
Where Danger Lives (1950) | 1950 | 300.00 | |
The Accused (1949) | 1949 | 300.00 | |
Sleep, My Love (1948) | 1948 | 300.00 | |
Kiss the Blood Off My Hands (1948) | 1948 | 300.00 | |
An Act of Murder (1948) | 1948 | 300.00 | |
The Velvet Touch (1948) | 1948 | 300.00 | |
I Wouldn't Be in Your Shoes (1948) | 1948 | 300.00 | |
Hollow Triumph (1948)/The Scar | 1948 | Baroque journey to perdition traversing a noir topography redolent with noir archetypes. Audacious and enthralling. | 300.00 |
Berlin Express (1948) | 1948 | 300.00 | |
A Woman's Vengeance (1948) | 1948 | 300.00 | |
The Lawless (1950) | 1950 | 300.00 | |
Convicted (1950) | 1950 | 300.00 | |
The Red House (1947) | 1947 | 300.00 | |
Union Station (1950) | 1950 | 300.00 | |
The Mysterious Mr. Valentine (1946) | 1946 | 300.00 | |
Spy Hunt (1950) | 1950 | 300.00 | |
The Unfaithful (1947) | 1947 | 300.00 | |
The Secret Fury (1950) | 1950 | 300.00 | |
Knock on Any Door (1949) | 1949 | 300.00 | |
Woman in Hiding (1950) | 1950 | 300.00 | |
The Man I Love (1947) | 1947 | 300.00 | |
Repeat Performance (1947) | 1947 | 300.00 | |
High Tide (1947) | 1947 | 300.00 | |
Secret Beyond the Door... (1947) | 1947 | 300.00 | |
Desperate (1947) | 1947 | 300.00 | |
Dancing with Crime (1947) | 1947 | 300.00 | |
Moss Rose (1947) | 1947 | 300.00 | |
The Man Who Cheated Himself (1950) | 1950 | 300.00 | |
Don't Bother to Knock (1952) | 1952 | 300.00 | |
The Wild Party (1956) | 1956 | 300.00 | |
Dementia (1955) | 1955 | 300.00 | |
Hold Back Tomorrow (1955) | 1955 | 300.00 | |
House of Bamboo (1955) | 1955 | 300.00 | |
Missing Women (1951) | 1951 | 300.00 | |
Pickup (1951) | 1951 | 300.00 | |
The Thief (1952) | 1952 | 300.00 | |
The Steel Trap (1952) | 1952 | 300.00 | |
City That Never Sleeps (1953) | 1953 | 300.00 | |
Diplomatic Courier (1952) | 1952 | 300.00 | |
The Scarf (1951) | 1951 | 300.00 | |
The House on Telegraph Hill (1951) | 1951 | 300.00 | |
The Brothers Rico (1957) | 1957 | 300.00 | |
The Mob (1951) | 1951 | 300.00 | |
The Big Knife (1955) | 1955 | 300.00 | |
Violent Saturday (1955) | 1955 | 300.00 | |
The People Against O'Hara (1951) | 1951 | 300.00 | |
A Kiss Before Dying (1956) | 1956 | 300.00 | |
The Long Haul (1957) | 1957 | 300.00 | |
Time Without Pity (1957) | 1957 | 300.00 | |
Slaughter on 10th Avenue (1957) | 1957 | 300.00 | |
Plunder Road (1957) | 1957 | 300.00 | |
The Tattered Dress (1957) | 1957 | 300.00 | |
Man Afraid (1957) | 1957 | 300.00 | |
While the City Sleeps (1956) | 1956 | 300.00 | |
One Way Street (1950) | 1950 | 300.00 | |
Desperate Moment (1953) | 1953 | 300.00 | |
Slightly Scarlet (1956) | 1956 | 300.00 | |
Death of a Scoundrel (1956) | 1956 | 300.00 | |
Ransom! (1956) | 1956 | 300.00 | |
Dangerous Crossing (1953) | 1953 | 300.00 | |
The Glass Wall (1953) | 1953 | 300.00 | |
Split Second (1953) | 1953 | 300.00 | |
Jeopardy (1953) | 1953 | 300.00 | |
Chicago Deadline (1949) | 1949 | 400.00 | |
Baby Face Nelson (1957) | 1957 | 400.00 | |
Anna Lucasta (1949) | 1949 | 400.00 | |
The Burglar (1957) | 1957 | 400.00 | |
Rope of Sand (1949) | 1949 | 400.00 | |
Outrage (1950) | 1950 | 400.00 | |
Dial 1119 (1950) | 1950 | 400.00 | |
Born to Be Bad (1950) | 1950 | 400.00 | |
Appointment with Danger (1950) | 1950 | 400.00 | |
Crime in the Streets (1956) | 1956 | 400.00 | |
The Killer Is Loose (1956) | 1956 | 400.00 | |
Time Table (1956) | 1956 | 400.00 | |
Outside the Law (1956) | 1956 | 400.00 | |
The Reckless Moment (1949) | 1949 | Max Ophuls takes a blackmail story and infuses it with a complexity and subtlety rarely matched in Film Noir. | 400.00 |
The Bribe (1949) | 1949 | 400.00 | |
Strange Bargain (1949) | 1949 | 400.00 | |
Mr. Soft Touch (1949) | 1949 | 400.00 | |
Undertow (1949) | 1949 | 400.00 | |
The Lady Gambles (1949) | 1949 | 400.00 | |
Hollywood Story (1951) | 1951 | 400.00 | |
The Crooked Way (1949) | 1949 | 400.00 | |
City Across the River (1949) | 1949 | 400.00 | |
Abandoned (1949) | 1949 | 400.00 | |
The Threat (1949) | 1949 | 400.00 | |
Shockproof (1949) | 1949 | 400.00 | |
Scene of the Crime (1949) | 1949 | 400.00 | |
The Undercover Man (1949) | 1949 | 400.00 | |
Port of 40 Thieves (1944) | 1944 | 400.00 | |
The Case Against Brooklyn (1958) | 1958 | 400.00 | |
The Chase (1946) | 1946 | 400.00 | |
Strange Triangle (1946) | 1946 | 400.00 | |
Smooth as Silk (1946) | 1946 | 400.00 | |
Cloak and Dagger (1946) | 1946 | 400.00 | |
Vice Squad (1953) | 1953 | 400.00 | |
A Blueprint for Murder (1953) | 1953 | 400.00 | |
Danger Signal (1945) | 1945 | 400.00 | |
Decoy (1946) | 1946 | 400.00 | |
Summer Storm (1944) | 1944 | 400.00 | |
The Turning Point (1952) | 1952 | 400.00 | |
When Strangers Marry (1944) | 1944 | 400.00 | |
Christmas Holiday (1944) | 1944 | Director Robert Siodmak smashes genre conventions by unleashing a wild expressionist ambience in a bizarre story of obsession and guilt thathas you appalled yet enthralled. Full of bizarre surprises. | 400.00 |
Journey Into Fear (1943) | 1943 | Moody Orson Welles' noir. Exotic locales, sexy dames, weird villains, politics, wisdom, philosophy, and a wry humor. | 400.00 |
The Fallen Sparrow (1943) | 1943 | 400.00 | |
Nightmare (1942) | 1942 | 400.00 | |
Crossroads (1942) | 1942 | 400.00 | |
Grand Central Murder (1942) | 1942 | 400.00 | |
Eyes of the Underworld (1942) | 1942 | 400.00 | |
Enter Arsene Lupin (1944) | 1944 | 400.00 | |
Flesh and Fury (1952) | 1952 | 400.00 | |
Open Secret (1948) | 1948 | 400.00 | |
Incident (1948) | 1948 | 400.00 | |
Canon City (1948) | 1948 | 400.00 | |
Shadow on the Wall (1950) | 1950 | 400.00 | |
Thunder Road (1958) | 1958 | 400.00 | |
Daybreak (1948) | 1948 | 400.00 | |
Inside the Walls of Folsom Prison (1951) | 1951 | 400.00 | |
Affair in Trinidad (1952) | 1952 | 400.00 | |
Deadline at Dawn (1946) | 1946 | 400.00 | |
Without Warning! (1952) | 1952 | 400.00 | |
The Hunted (1948) | 1948 | 400.00 | |
Blind Spot (1947) | 1947 | 400.00 | |
The Long Night (1947) | 1947 | 400.00 | |
Singapore (1947) | 1947 | 400.00 | |
Railroaded! (1947) | 1947 | 400.00 | |
Desert Fury (1947) | 1947 | 400.00 | |
Calcutta (1947) | 1947 | 400.00 | |
The Pretender (1947) | 1947 | 400.00 | |
The Invisible Wall (1947) | 1947 | 400.00 | |
Macao (1952) | 1952 | 400.00 | |
Big House, U.S.A. (1955) | 1955 | 400.00 | |
Not as a Stranger (1955) | 1955 | 400.00 | |
Black Tuesday (1954) | 1954 | 400.00 | |
Dragnet (1954) | 1954 | 400.00 | |
Loophole (1954) | 1954 | 400.00 | |
Private Hell 36 (1954) | 1954 | 400.00 | |
Witness to Murder (1954) | 1954 | 400.00 | |
Black Widow (1954) | 1954 | 400.00 | |
Tight Spot (1955) | 1955 | 400.00 | |
Running Wild (1955) | 1955 | 400.00 | |
Suddenly (1954) | 1954 | 400.00 | |
Killer's Kiss (1955) | 1955 | 400.00 | |
Highway 301 (1950) | 1950 | Mad dog killers and not too bright dames | 400.00 |
Follow Me Quietly (1949) | 1949 | 500.00 | |
Naked Alibi (1954) | 1954 | 500.00 | |
The Other Woman (1954) | 1954 | 500.00 | |
Hot Cars (1956) | 1956 | 500.00 | |
Quiet Please: Murder (1942) | 1942 | 500.00 | |
Undercover Girl (1950) | 1950 | 500.00 | |
Quicksand (1950) | 1950 | 500.00 | |
Backfire (1950) | 1950 | 500.00 | |
Time Out of Mind (1947) | 1947 | 500.00 | |
The Thirteenth Hour (1947) | 1947 | 500.00 | |
Walk Softly, Stranger (1950) | 1950 | 500.00 | |
Hunt the Man Down (1950) | 1950 | 500.00 | |
Finger Man (1955) | 1955 | 500.00 | |
Flaxy Martin (1949) | 1949 | 500.00 | |
The Sellout (1952) | 1952 | 500.00 | |
Johnny Allegro (1949) | 1949 | 500.00 | |
Between Midnight and Dawn (1950) | 1950 | 500.00 | |
Dishonored Lady (1947) | 1947 | 500.00 | |
The Guilty (1947) | 1947 | 500.00 | |
The Flame (1947) | 1947 | 500.00 | |
Smash-Up: The Story of a Woman (1947) | 1947 | 500.00 | |
Roses Are Red (1947) | 1947 | 500.00 | |
Race Street (1948) | 1948 | 500.00 | |
Street of Chance (1942) | 1942 | 500.00 | |
Beware, My Lovely (1952) | 1952 | 500.00 | |
The Big Tip Off (1955) | 1955 | 500.00 | |
Cover Up (1949) | 1949 | 500.00 | |
No Questions Asked (1951) | 1951 | Femme Fatale played by Arlene Dahl leads a lawyer played by Barry Sullivan to ruin. | 500.00 |
The Amazing Mr. X (1948) | 1948 | 500.00 | |
Behind Locked Doors (1948) | 1948 | 500.00 | |
Bodyguard (1948) | 1948 | 500.00 | |
Iron Man (1951) | 1951 | 500.00 | |
Cause for Alarm! (1951) | 1951 | 500.00 | |
Hell on Frisco Bay (1955) | 1955 | 500.00 | |
Cry Terror! (1958) | 1958 | 500.00 | |
Johnny Rocco (1958) | 1958 | 500.00 | |
Live Fast, Die Young (1958) | 1958 | 500.00 | |
Never Trust a Gambler (1951) | 1951 | 500.00 | |
Nightmare (1956) | 1956 | 500.00 | |
Cry Vengeance (1954) | 1954 | 500.00 | |
Lightning Strikes Twice (1951) | 1951 | 500.00 | |
The Miami Story (1954) | 1954 | 500.00 | |
Three Steps North (1951) | 1951 | 500.00 | |
The 13th Letter (1951) | 1951 | 500.00 | |
The Big Night (1951) | 1951 | 500.00 | |
The Fat Man (1951) | 1951 | 500.00 | |
The Raging Tide (1951) | 1951 | 500.00 | |
Please Murder Me! (1956) | 1956 | 500.00 | |
The Big Caper (1957) | 1957 | 500.00 | |
Slander (1957) | 1957 | 500.00 | |
Hot Rod Rumble (1957) | 1957 | 500.00 | |
Saigon (1947) | 1947 | 500.00 | |
The Captive City (1952) | 1952 | 500.00 | |
The Gangster (1947) | 1947 | Hell of a b-movie. Very dark noir opera brutally critiques the entrepreneurial spirit. Dalton Trumbo script. | 500.00 |
The Unknown Man (1951) | 1951 | 500.00 | |
The Woman on the Beach (1947) | 1947 | 500.00 | |
Forbidden (1953) | 1953 | 500.00 | |
One Girl's Confession (1953) | 1953 | 500.00 | |
Vicki (1953) | 1953 | 500.00 | |
The Glass Web (1953) | 1953 | 3-D | 500.00 |
Shack Out on 101 (1955) | 1955 | 500.00 | |
Sudden Danger (1955) | 1955 | 500.00 | |
When Gangland Strikes (1956) | 1956 | 500.00 | |
So Dark the Night (1946) | 1946 | 500.00 | |
Jealousy (1945) | 1945 | 500.00 | |
The Great Flamarion (1945) | 1945 | 500.00 | |
The Power of the Whistler (1945) | 1945 | 500.00 | |
The Brighton Strangler (1945) | 1945 | 500.00 | |
The Boss (1956) | 1956 | 500.00 | |
Johnny Angel (1945) | 1945 | 500.00 | |
The Whistler (1944) | 1944 | 500.00 | |
Strangers in the Night (1944) | 1944 | 500.00 | |
Experiment Perilous (1944) | 1944 | 500.00 | |
The Unguarded Moment (1956) | 1956 | 500.00 | |
Strange Impersonation (1946) | 1946 | 500.00 | |
Nocturne (1946) | 1946 | 500.00 | |
The Glass Alibi (1946) | 1946 | 500.00 | |
Mysterious Intruder (1946) | 1946 | 500.00 | |
Women's Prison (1955) | 1955 | 500.00 | |
Crack-Up (1946) | 1946 | 500.00 | |
Temptation (1946) | 1946 | 500.00 | |
Step by Step (1946) | 1946 | 500.00 | |
Dillinger (1945) | 1945 | 500.00 | |
Undercurrent (1946) | 1946 | 500.00 | |
The Naked Street (1955) | 1955 | 500.00 | |
Unchained (1955) | 1955 | 500.00 | |
Behind Green Lights (1946) | 1946 | 500.00 | |
Strange Illusion (1945) | 1945 | 600.00 | |
Double Jeopardy (1955) | 1955 | 600.00 | |
Shed No Tears (1948) | 1948 | 600.00 | |
The Female Animal (1958) | 1958 | 600.00 | |
The Man in Half Moon Street (1945) | 1945 | 600.00 | |
Cry of the Hunted (1953) | 1953 | 600.00 | |
Terror on a Train (1953) | 1953 | 600.00 | |
Million Dollar Weekend (1948) | 1948 | 600.00 | |
The Spider (1945) | 1945 | 600.00 | |
Walk a Crooked Mile (1948) | 1948 | 600.00 | |
The Dark Past (1948) | 1948 | 600.00 | |
The Return of the Whistler (1948) | 1948 | 600.00 | |
Whiplash (1948) | 1948 | 600.00 | |
The Hairy Ape (1944) | 1944 | 600.00 | |
Guest in the House (1944) | 1944 | 600.00 | |
Mad at the World (1955) | 1955 | 600.00 | |
A Prize of Gold (1955) | 1955 | 600.00 | |
No Man's Woman (1955) | 1955 | 600.00 | |
I Died a Thousand Times (1955) | 1955 | 600.00 | |
The Sign of the Ram (1948) | 1948 | 600.00 | |
Strange Fascination (1952) | 1952 | 600.00 | |
Secret of the Whistler (1946) | 1946 | 600.00 | |
The Madonna's Secret (1946) | 1946 | 600.00 | |
Shock (1946) | 1946 | 600.00 | |
Girl on the Spot (1946) | 1946 | 600.00 | |
Stolen Identity (1953) | 1953 | 600.00 | |
Fingers at the Window (1942) | 1942 | 600.00 | |
The System (1953) | 1953 | 600.00 | |
Suspense (1946) | 1946 | I can't believe all of the ice skating in this Film Noir... | 600.00 |
Two O'Clock Courage (1945) | 1945 | 600.00 | |
Fall Guy (1947) | 1947 | 600.00 | |
Voice of the Whistler (1945) | 1945 | 600.00 | |
Count the Hours! (1953) | 1953 | 600.00 | |
Storm Fear (1955) | 1955 | 600.00 | |
Loan Shark (1952) | 1952 | 600.00 | |
Walk East on Beacon! (1952) | 1952 | 600.00 | |
The Las Vegas Story (1952) | 1952 | 600.00 | |
Night Without Sleep (1952) | 1952 | 600.00 | |
Models Inc. (1952) | 1952 | 600.00 | |
Hell's Half Acre (1954) | 1954 | 600.00 | |
Highway Dragnet (1954) | 1954 | 600.00 | |
Man in the Dark (1953) | 1953 | 3-D | 600.00 |
Hideout (1949) | 1949 | 600.00 | |
Black Hand (1950) | 1950 | 600.00 | |
Step Down to Terror (1958) | 1958 | 600.00 | |
I Was a Communist for the F.B.I. (1951) | 1951 | 600.00 | |
This Side of the Law (1950) | 1950 | 600.00 | |
Unmasked (1950) | 1950 | 600.00 | |
Once a Thief (1950) | 1950 | 600.00 | |
Gambling House (1950) | 1950 | 600.00 | |
House of Numbers (1957) | 1957 | 600.00 | |
Hell Bound (1957) | 1957 | 600.00 | |
Edge of Doom (1950) | 1950 | 600.00 | |
Hit and Run (1957) | 1957 | 600.00 | |
The Clay Pigeon (1949) | 1949 | 600.00 | |
Illegal Entry (1949) | 1949 | 600.00 | |
Red Light (1949) | 1949 | 600.00 | |
The Come On (1956) | 1956 | 600.00 | |
Stranger on the Third Floor (1940) | 1940 | 600.00 | |
Miami Exposé (1956) | 1956 | 600.00 | |
Julie (1956) | 1956 | 600.00 | |
Finger of Guilt (1956) | 1956 | 600.00 | |
The Strange Door (1951) | 1951 | 600.00 | |
The Black Castle (1952) | 1952 | 600.00 | |
The Shadow on the Window (1957) | 1957 | 600.00 | |
The Killer That Stalked New York (1950) | 1950 | 600.00 | |
The Sun Sets at Dawn (1950) | 1950 | 600.00 | |
The Man Is Armed (1956) | 1956 | 600.00 | |
Raw Wind in Eden (1958) | 1958 | 600.00 | |
The Second Woman (1950) | 1950 | 600.00 | |
Revolt in the Big House (1958) | 1958 | 600.00 | |
Hell's Five Hours (1958) | 1958 | 600.00 | |
Sirocco (1951) | 1951 | 600.00 | |
The Gun Runners (1958) | 1958 | 600.00 | |
Tarnished (1950) | 1950 | 600.00 | |
Southside 1-1000 (1950) | 1950 | 600.00 | |
The Hoodlum (1951) | 1951 | 600.00 | |
Tokyo Joe (1949) | 1949 | 600.00 | |
Cop Hater (1958) | 1958 | 600.00 | |
Machine-Gun Kelly (1958) | 1958 | 600.00 | |
Confidence Girl (1952)> | 1952 | Confidence Girl (1952)> is worth a watch to learn how sveral types of scams are played out. Other than than, not so much. The structure of the story was an interesting idea... | 700.00 |
A Bullet Is Waiting (1954) | 1954 | 800.00 | |
Hell's Island (1955) | 1955 | 800.00 | |
A Life at Stake (1955) | 1955 | 800.00 | |
The Big Bluff (1955) | 1955 | 800.00 | |
The Pay Off (1942) | 1942 | 800.00 | |
City of Shadows (1955) | 1955 | 800.00 | |
5 Against the House (1955) | 1955 | 800.00 | |
Wiretapper (1955) | 1955 | 800.00 | |
A Bullet for Joey (1955) | 1955 | 800.00 | |
Jail Bait (1954) | 1954 | Vic Brady draws young Don Gregor into a life of crime. He then blackmails Gregor's plastic surgeon father into fixing up his face so he can evade the cops. - iMDB | 800.00 |
Gorilla at Large (1954) | 1954 | 800.00 | |
Murder Is My Beat (1955) | 1955 | 800.00 | |
Johnny One-Eye (1950) | 1950 | 800.00 | |
Hi-Jacked (1950) | 1950 | 800.00 | |
Kill or Be Killed (1950) | 1950 | 800.00 | |
Federal Agent at Large (1950) | 1950 | 800.00 | |
Malaga (1954) | 1954 | 800.00 | |
Inside Job (1946) | 1946 | 800.00 | |
Portland Expose (1957) | 1957 | 800.00 | |
A Woman's Devotion (1956) | 1956 | 800.00 | |
Over-Exposed (1956) | 1956 | 800.00 | |
The Spider Woman Strikes Back (1946) | 1946 | 800.00 | |
Shadowed (1946) | 1946 | 800.00 | |
Passkey to Danger (1946) | 1946 | 800.00 | |
They Made Me a Killer (1946) | 1946 | 800.00 | |
The Inner Circle (1946) | 1946 | 800.00 | |
Accomplice (1946) | 1946 | 800.00 | |
Shadow of a Woman (1946) | 1946 | 800.00 | |
Spin a Dark Web (1956) | 1956 | 800.00 | |
Danger Woman (1946) | 1946 | 800.00 | |
The Mask of Diijon (1946) | 1946 | 800.00 | |
Fear (1946) | 1946 | 800.00 | |
Whistle Stop (1946) | 1946 | 800.00 | |
I Was a Shoplifter (1950) | 1950 | 800.00 | |
Below the Deadline (1946) | 1946 | 800.00 | |
Women from Headquarters (1950) | 1950 | 800.00 | |
Flight to Nowhere (1946) | 1946 | 800.00 | |
A Cry in the Night (1956) | 1956 | 800.00 | |
Specter of the Rose (1946) | 1946 | 800.00 | |
The Night Holds Terror (1955) | 1955 | 800.00 | |
Sealed Lips (1942) | 1942 | 800.00 | |
The Shanghai Story (1954) | 1954 | 800.00 | |
A Date with the Falcon (1942) | 1942 | 800.00 | |
The Houston Story (1956) | 1956 | 800.00 | |
A Night of Adventure (1944) | 1944 | 800.00 | |
Account Rendered (1957) | 1957 | 800.00 | |
All Through the Night (1942) | 1942 | 800.00 | |
Betrayed Women (1955) | 1955 | 800.00 | |
Borderline (1950) | 1950 | 800.00 | |
The Crooked Web (1955) | 1955 | 800.00 | |
The Human Jungle (1954) | 1954 | 800.00 | |
A Lady Without Passport (1950) | 1950 | 800.00 | |
Deported (1950) | 1950 | 800.00 | |
Arson, Inc. (1949) | 1949 | 800.00 | |
Dead Man's Eyes (1944) | 1944 | 800.00 | |
End of the Road (1944) | 1944 | 800.00 | |
Dangerous Passage (1944) | 1944 | 800.00 | |
Voice in the Wind (1944) | 1944 | 800.00 | |
The Slasher (1953) | 1943 | 800.00 | |
Whispering Footsteps (1943) | 1943 | 800.00 | |
Female on the Beach (1955) | 1955 | 800.00 | |
Crime, Inc. (1945) | 1945 | 800.00 | |
Double Deal (1950) | 1950 | 800.00 | |
Harbor of Missing Men (1950) | 1950 | 800.00 | |
Guilty Bystander (1950) | 1950 | 800.00 | |
Calling Dr. Death (1943) | 1943 | 800.00 | |
The Fatal Witness (1945) | 1945 | 800.00 | |
The Unseen (1945) | 1945 | 800.00 | |
Apology for Murder (1945) | 1945 | 800.00 | |
The Lady Confesses (1945) | 1945 | 800.00 | |
The Mailbag Robbery (1957) | 1957 | 800.00 | |
Make Haste to Live (1954) | 1954 | 800.00 | |
Escape in the Fog (1945) | 1945 | 800.00 | |
World for Ransom (1954) | 1954 | 800.00 | |
Sensation Hunters (1945) AKA Club Paradise (1945) | 1945 | 800.00 | |
Man on the Prowl (1957) | 1957 | 800.00 | |
Lady Gangster (1942) | 1942 | 800.00 | |
The Unholy Wife (1957) | 1957 | 800.00 | |
Wildcat (1942) | 1942 | 800.00 | |
Mystery of Marie Roget (1942) | 1942 | 800.00 | |
Circumstantial Evidence (1945) | 1945 | 800.00 | |
Bewitched (1945) | 1945 | 800.00 | |
Destination Murder (1950) | 1950 | 800.00 | |
River Gang (1945) | 1945 | 800.00 | |
A Dangerous Profession (1949) | 1949 | 800.00 | |
Mara Maru (1952) | 1952 | 800.00 | |
Woman in the Dark (1952) | 1952 | 800.00 | |
Talk About a Stranger (1952) | 1952 | 800.00 | |
The Man with My Face (1951) | 1951 | 800.00 | |
Million Dollar Pursuit (1951) | 1951 | 800.00 | |
Peking Express (1951) | 1951 | 800.00 | |
The Basketball Fix (1951) | 1951 | 800.00 | |
Secrets of Monte Carlo (1951) | 1951 | 800.00 | |
Scandal Incorporated (1956) | 1956 | 800.00 | |
The Red Menace (1949) | 1949 | 800.00 | |
Three Bad Sisters (1956) | 1956 | 800.00 | |
Jigsaw (1949) | 1949 | 800.00 | |
Chained for Life (1952) | 1952 | 800.00 | |
A Woman's Secret (1949) | 1949 | 800.00 | |
'C'-Man (1949) | 1949 | 800.00 | |
Port of New York (1949) | 1949 | 800.00 | |
The Judge (1949) | 1949 | 800.00 | |
Tip on a Dead Jockey (1957) | 1957 | 800.00 | |
Strange Intruder (1956) | 1956 | 800.00 | |
Walk the Dark Street (1956) | 1956 | 800.00 | |
The Girl in Black Stockings (1957) | 1957 | 800.00 | |
A Strange Adventure (1956) | 1956 | 800.00 | |
Flight to Hong Kong (1956) | 1956 | 800.00 | |
Post Office Investigator (1949) | 1949 | 800.00 | |
The Man Who Died Twice (1958) | 1958 | 800.00 | |
Money Madness (1948) | 1948 | 800.00 | |
Close-Up (1948) | 1948 | 800.00 | |
No Orchids for Miss Blandish (1948) | 1948 | 800.00 | |
Inner Sanctum (1948) | 1948 | 800.00 | |
Blonde Ice (1948) | 1948 | 800.00 | |
Waterfront at Midnight (1948) | 1948 | 800.00 | |
Parole, Inc. (1948) | 1948 | 800.00 | |
Assigned to Danger (1948) | 1948 | 800.00 | |
The Cobra Strikes (1948) | 1948 | 800.00 | |
Invisible Avenger (1958) | 1958 | 800.00 | |
Breakdown (1952) | 1952 | 800.00 | |
The Fearmakers (1958) | 1958 | 800.00 | |
Hoodlum Empire (1952) | 1952 | 800.00 | |
The Bonnie Parker Story (1958) | 1958 | 800.00 | |
Joy Ride (1958) | 1958 | 800.00 | |
Screaming Mimi (1958) | 1958 | 800.00 | |
Girls on the Loose (1958) | 1958 | 800.00 | |
Hong Kong Confidential (1958) | 1958 | 800.00 | |
Hong Kong Affair (1958) | 1958 | 800.00 | |
Playgirl (1954) | 1954 | 800.00 | |
Blackout (1954) | 1954 | 800.00 | |
F.B.I. Girl (1951) | 1951 | 800.00 | |
The Strip (1951) | 1951 | 800.00 | |
Edge of Hell (1956) | 1956 | 800.00 | |
Young and Wild (1958) | 1958 | 800.00 | |
Benghazi (1955) | 1955 | 800.00 | |
Jamaica Run (1953) | 1953 | 800.00 | |
Second Chance (1953) | 1953 | In spite of starring Robert Mitchum, Jack Palance, Linda Darnell this movie was a dud. Set in Mexico and featuring a fight between the two leading men on a stranded cable car. Shot for 3D, so I guess no one worked on the plot… | 800.00 |
Female Jungle (1956) | 1956 | 800.00 | |
I, the Jury (1953) | 1953 | 3-D | 800.00 |
The Violent Years (1956) | 1956 | Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men. - iMDB | 800.00 |
The Joe Louis Story (1953) | 1953 | 800.00 | |
The Girl in the Kremlin (1957) | 1957 | 800.00 | |
The Hideout (1956) | 1956 | 800.00 | |
The Steel Jungle (1956) | 1956 | 800.00 | |
Lisbon (1956) | 1956 | 800.00 | |
The Limping Man (1953) | 1953 | 800.00 | |
Bedevilled (1955) | 1955 | 800.00 | |
The Shadow Man (1953) | 1953 | 800.00 | |
Hot Summer Night (1957) | 1957 | 800.00 | |
I Cover the Underworld (1955) | 1955 | 800.00 | |
Death in Small Doses (1957) | 1957 | 800.00 | |
Chicago Confidential (1957) | 1957 | 800.00 | |
Street of Sinners (1957) | 1957 | 800.00 | |
Short Cut to Hell (1957) | 1957 | 800.00 | |
Hidden Fear (1957) | 1957 | 800.00 | |
The Tijuana Story (1957) | 1957 | 800.00 | |
The Abductors (1957) | 1957 | 800.00 | |
Teenage Doll (1957) | 1957 | 800.00 | |
Affair in Havana (1957) | 1957 | 800.00 | |
The Night Runner (1957) | 1957 | 800.00 | |
The Big Fix (1947) | 1947 | 800.00 | |
Key Witness (1947) | 1947 | 800.00 | |
Bury Me Dead (1947) | 1947 | 800.00 | |
Big Town After Dark (1947) | 1947 | 800.00 | |
Intrigue (1947) | 1947 | 800.00 | |
The Arnelo Affair (1947) | 1947 | 800.00 | |
Shoot to Kill (1947) | 1947 | 800.00 | |
For You I Die (1947) | 1947 | 800.00 | |
The 49th Man (1953) | 1953 | 800.00 | |
Blackmail (1947) | 1947 | 800.00 | |
Bad Blonde (1953) | 1953 | 800.00 | |
5 Steps to Danger (1957) | 1957 | 800.00 | |
Backlash (1947) | 1947 | 800.00 | |
Violence (1947) | 1947 | 800.00 | |
Accused of Murder (1956) | 1956 | 800.00 | |
Congo Crossing (1956) | 1956 | 800.00 | |
Crime Against Joe (1956) | 1956 | 800.00 | |
Man in the Vault (1956) | 1956 | 800.00 | |
Tropic Zone (1953) | 1953 | 800.00 | |
Flight to Tangier (1953) | 1953 | 800.00 | |
Terror Street (1953)/ 36 Hours | 1953 | 800.00 | |
Violated (1953) | 1953 | 800.00 | |
No Escape (1953) | 1953 | 800.00 | |
Girls in Prison (1956) | 1956 | 800.00 | |
Mystery Junction (1951) | 1951 | 918.00 | |
The Falcon's Brother (1942) | 1942 | 918.00 | |
The True Story of Lynn Stuart (1958) | 1958 | 918.00 | |
The Falcon's Adventure (1946) | 1946 | 918.00 | |
Native Son (1951) | 1951 | 918.00 | |
Man from Headquarters (1942) | 1942 | 918.00 | |
Criminal Investigator (1942) | 1942 | 918.00 | |
Night Editor (1946) | 1946 | 918.00 | |
Five Minutes to Live (1961) | 1961 | 998.00 | |
Dance Hall Racket (1953) | 1953 | A Film Noir written by comedian Lenny Bruce tells the story of a small-time crook's -Dance Hall Racket (1953) | 1000.00 |
Pillow of Death (1945) | 1945 | 1001.00 |
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